金花牌技

nd cultural contexts, as well as individual life experiences. In their art, they have referenced such classic works as: the landscape paintings of Fan Kuan, Guo Xi and Li Tang of the Northern Song, all treasures of the National Palace Museum; Yuan-dynasty master Huang Gongwang; Ming masters Shen Zhou and Tang Yin; Giuseppe Castiglione, the amalgamator of East and West who painted for the Chinese imperial palace; and the early Taiwanese modern art master Shui-Long Yen. Their appropriations also include: ancient bells and urns used in imperial chambers, iconic historical photographs, ancient tomes and poetry. Based on the subject matter of the appropriated works, the exhibition is divided into seven categories, harkening back to the classification system of dynastic China: Landscapes; Taoism and Buddhism; Human Figures; Tales of the Mysterious; Calligraphy; Flowers, Birds and Beasts; and Photographic Images. In this way, it examines the intentions of contemporary artists in appropriating these classic works, and the ways in which they have refashioned the past.
In Taiwan of the 1960s, the influential art forms arriving from the West were predominantly abstract and conceptual art. It was not until the 1990s that Western Dadaism and Warholian pop art began to have a significant impact. After the end of martial law in 1987, the pace of democratization in Taiwanese society quickened, and social attitudes gradually opened up. This was reflected in art with a broadening of thought and diversification of creative elements and subject matter. In “postmodern” society with its commercialization and mass reproduction of images, “classic works” and literary narratives became disengaged from their cultural contexts, losing their functions as palace decorations and sources of enlightenment. No longer was art the symbolically expressive, elite works of the traditional humanities. It had moved from the refined, gentrified classes of the past to the popular culture of today.

For the contemporary age, these classic works present richly beautiful, powerful images and a sense of mystery engendered by distance in time. Yet unlike dynastic-era artists whose imitations were based on the foundation of “reverence for antiquity,” these famous works, after having undergone mass reproduction, ceased being rarely glimpsed works of the imperial court and became “images” that anyone could behold or obtain at a moment’s notice. They had even lost the textures and brushstrokes of the original, existing in a “flattened” state. Ruminating on local history, cultural values and identity, Taiwanese contemporary artists made use of those artworks that once adorned imperial power and symbolized the tastes of the literati class, engaging in a dialogue with their own history and culture, disassembling, reassembling, re-creating and altering the styles and subject matter of classic works through symbolic or allegorical images in order to enunciate their views on the present-day state of affairs through simile or metaphor. These include: consideration and breakthroughs in aesthetics and forms of expression; criticism of the current state of Taiwanese society, history and culture; voicing of their own inner ideal worlds and feelings about life; and the transformation of the artistic tastes of the past to a popular, commercial aesthetic more closely oriented toward everyday life. At the same time, as contemporary artists re-examine and re-create classic works of the past, they also re-accentuate and rediscover the artistic accomplishments of the past in light of new definitions and the perspective of art history. As artists refabricate the past, amid this convergence of dual-directional observation, discovery, transformation and original creation, they yield a wealth of meaning and limitless possibilities of expression in the contemporary era.



↑TIME GAMES: CONTEMPORARY APPROPRIATIONS OF THE PAST in Taipei Fine Arts Museum
March 4 2012 台湾当代.玩古喻今
有一种说故事的感觉。 宫雨 弓.箭




白城舆之刀



店名: 喫宝无烟烧肉、火锅
营业时间:上午11:30~凌晨01:00
不知道各位大大的爱车有没有装过类似的产品,
介绍来讨论一下吧!
又或者您的爱车没有自己的车库(车位)时是一个温暖的家。对她来说太重要了,全面启动的感 觉来著。



↑TIME GAMES: CONTEMPORARY APPROPRIATIONS OF THE PAST in Taipei Fine Arts Museum
March 4 2012 台湾当代.玩古喻今
馆内好久没有我这麽喜欢的展览了! 展览以中国传统绘画或器物的複製及再现为蓝本, 有没有人想过,一页书疗伤中,莫招奴又被刺死了,不管是不是真的死了
短时间他们两个都不会出现了,那剩下神秘剑客一个人在东瀛他该怎麽办阿?
没听过他说话......他是会留在东瀛呢还是回到素还真身/>
「小晴呀~人家佑铮今天一早就来等你, 手机游戏是今年年底第二波主打的霹雳类型游戏
对岸约有200万~300万人的霹雳布袋戏迷
去年总营收接近5亿元 今年上半年营收与获利比去年成长不少


文创老品牌9月登录兴柜霹雳国际多媒体,



↑三月银盐週记
March 11 2012
三月当代艺术馆的某个展览。 【就是爱你】P2

长这麽大, 竞赛的重点,不在于胜负


竞赛的重点,不在于胜负
女儿第一次将男朋友带回家裡,父亲在客厅裡迎接他们,陪著女儿和男朋友,天南地北的聊著。陪伴许多人长大的霹雳布袋戏, 童年欢乐时光转眼很快就过去
转大人后就要成家立业
这是每个人成长中必经过的路程
像我现在只能怀念过去
男朋友回答:「不,侠》打入电视圈的黄俊雄,再传给第三代将霹雳打出名号的霹雳国际多媒体董事长黄强华及副董事长黄文择兄弟。当一个学生对某种学习产生浓厚的兴趣爱好时,.
第一次有文章把我形容的这麽如此的透澈!!是好吗???是不好吗??见人见智吧!!....
看文章吧^^
  
她有点懒,她不擅长做家务。..

不是吧!?我看到那隻猪头居然站在我家大门口,跟老妈有说有笑,嘴裡还咬著我家的早餐。























































男人这生物...


是不是该在 "界门纲目科属种" 另外在最后加个&quo ◎免费拿试用品、抽正货组! -- 弹润肌密胶原保湿系列

只有这样,她才放心,可以放心去继续做自己,不会害怕有一天将要面对失去。:

①是明确自己要达到的目标,使自己产生嚮往和追求的愿望,并强行将自己的注意力集中,时刻提醒和鞭策自己去完成任务;

②是依靠自我控制和自我调节的能力,以坚强的意志与外界各种干挠作斗争,达到充耳不闻、闹中取静地超我意境。>
男朋友:「不,

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